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Of the Street-Sellers of Comic Exhibitions, Magical Delusions, &c.
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The street sale of “Comic Exhibitions” (properly so called) is, of course, as modern as the last autumn and winter; and it is somewhat curious that the sale of any humorous, or meant to be humorous sheet of engravings, is now becoming very generally known in the street sale as a “Comic Exhibition.” Among these--as I have before intimated--are many caricatures of the Pope, the Church of Rome, Cardinal Wiseman, the Church of England, the Bishop of London (or any bishop or dignitary), or of any characteristic of the conflicting creeds. In many of these, John Bull figures personally, and so does the devil.
The Comic Exhibition (proper) is certainly a very cheap pennyworth. No. 1 is entitled, “The Ceremonial of the Opening of the Great Exhibition, in 1851, with Illustrations of the Contributions of All Nations.” The “contributions,” however, are reserved for Nos. 2 and 3. Two larger “cuts,” at the head of the broad-sheet, may be considered geographical, as regards the first, and allegorical as regards the second. “Table Bay” presents a huge feeder (evidently), and the “Cape of Good Hope” is a spare man obsequiously bowing to the table and its guest in good hope of a dinner. Of the Sandwich Islands and of Hung(a)ry, the “exhibition” is of the same description. The second larger cut shows the Crystal Palace ascending by the agency of a balloon, a host of people of all countries looking on. Then comes the “Procession from Palace-yard to Hyde Park.” The first figure in this procession is described as “Beefeaters piping hot and well puffed out,” though there is but one beefeater, with head larger than his body and legs ridiculously small, (as have nearly all the sequent figures), smoking a pipe as if it were a trombone, duly followed by “Her Majesty’s Spiritual Body-guard” (five beefeaters, drunk), and by “Prince Albert blowing his own trumpet” (from the back of a very sorry steed), with “Mops and brooms,” and a “Cook-oo” (a housemaid and cook) as his supporters. Then follow figures, grotesque enough, of which the titles convey the character: “A famous Well-in-Town;” “Nae Peer-ye;” “Humorous Estimates” (Mr. Hume); “A Jew-d’ esprit” (Mr. D’Israeli); “An exemplification of Cupidity in Pummicestone” (Lord Palmerston); “Old Geese” and “Young Ducks” (old and angry-looking and young and pretty women); “Some gentlemen who patronise Moses in the Minories” (certainly no credit to the skill of a tailor); “A Jew Lion” (M. Jullien); “Fine high screams” (ice-creams) and “Capers” (chorister boys and ballet-girls); “Hey-day, you don’t take advantage here” (Joseph Ady); and “Something to give the milk a head” (a man with a horse’s head on a tray). These, however, are but a portion of the figures. The Comic Exhibition-sheet contains ninety such figures, independent of those in the two cuts mentioned as headings.
“Galleries of Comicalities,” or series of figures sometimes satirically, sometimes grotesquely given without any aim at satire, are also sold by the same parties, and are often announced as a “Threepenny gallery for a penny!--and dirt cheap at threepence. As big as a newspaper.”
Another broad-sheet sold this winter in the streets is entitled, “Optical and Magical Delusions,” and was announced as “Dedicated to and Prepared for his Royal Highness the Prince of Wales--the only original copy.” The engravings are six in number, and are in three rows, each accompanying engraving being reversed from its fellow: where the head is erect on one side, it is downward on the other. The first figure is a short length of a very plain woman, while on the opposite side is that of a very plain man, both pleased and smirking in accordance with a line below: “O what joy when our lips shall meet!” “Cat-a-gorical” is a spectacled and hooded cat. “Dog-matical” is a dog with the hat, wig, and cane once held proper to a physician. “Cross purposes” is an austere lady in a monster cap, while her opposite husband is pointing bitterly to a long bill. The purport of these figures is shown in the following
“DIRECTIONS--Paste all over the Back of the sheet, and put a piece of thick paper between, to stiffen it, then fold it down the centre, so that the marginal lines fall exactly at the back of each other, (which may be ascertained by holding it to the light)--press it quite flat--when cut separate they will make three cards--shave them close to the margin--then take a needlefull of double thread and pass it through the dot at each end of the card; cut the thread off about three inches long. By twisting the threads between your fore fingers and thumbs, so as to spin the card round backwards and forwards with a rapid motion, the figures will appear to connect and form a pleasing delusion.”
Then there are the “Magical Figures,” or rude street imitations of Dr. Paris’ ingenious toy, called the “Thaumascope.” Beside these are what at the first glance appear mere black, and very black, marks, defining no object; but a closer examination shows the outlines of a face, or of a face and figure. Of such there are sometimes four on a broad-sheet, but they are also sold separately, both in the streets and the small stationers’ shops. When the white or black portion of the paper is cut away (for both colours are so prepared), what remains, by a disposition of the light, throws a huge shadow of a grotesque figure on the wall, which may be increased or diminished according to the motions of the exhibitor. The shadow-figures sold this winter by one of my informants were of Mr. and Mrs. Manning, the Queen, Prince Albert, the Princess Royal, and the Prince of Wales; “but you see, sir,” observed the man, “the Queen and the Prince does for any father and mother--for she hasn’t her crown on--and the Queen’s kids for anybody’s kids.”
I mention these matters more particularly, as it certainly shows something of a change in the winter-evenings’ amusements of the children of the working-classes. The principal street customers for these penny papers were mechanics, who bought them on their way home for the amusement of their families. Boys, however, bought almost as many.
The sale of these papers is carried on by the same men as I have described working conundrums. A superior patterer, of course, shows that his magical delusions and magical figures combine all the wonders of the magic lantern and the dissolving views, “and all for one penny.” The trade is carried on only for a short time in the winter as regards the magical portion; and I am informed that, including the “Comic Exhibitions,” it extends to about half of the sum taken for conundrums, or to about 45l.