Explanation.

The story of Attis, or Athis, here briefly referred to, is related by the ancient writers in many different ways; so much so, that it is not possible to reconcile the discrepancy that exists between them. From Diodorus Siculus we learn that Cybele, the daughter of Mæon, King of Phrygia, falling in love with a young shepherd named Attis, her father ordered him to be put to death. In despair, at the loss of her lover, Cybele left her father’s abode, and, accompanied by Marsyas, crossed the mountains of Phrygia. Apollo, (or, as Vossius supposes, some priest of that God,) touched with the misfortunes of the damsel, took her to the country of the Hyperboreans in Scythia, where she died. Some time after, the plague ravaging Phrygia, and the oracle being consulted, an answer was returned, that, to ensure the ceasing of the contagion, they must look for the body of Attis, and give it funeral rites, and render to Cybele the same honour which they were wont to pay to the Gods: all which was done with such scrupulous care, that in time she became one of the most esteemed Divinities.

Arnobius, says that Attis was a shepherd, with whom Cybele fell in love in her old age. Unmoved by her rank, and repelled by her faded charms, he despised her advances. Midas, King of Pessinus, on seeing this, destined his own daughter, Agdistis, for the young Attis. Fearing the resentment of Cybele, he caused the gates of the city to be shut on the day on which the marriage was to be solemnized. Cybele being informed of this, hastened to Pessinus, and, destroying the gates, met with Attis, who had concealed himself behind a pine tree, and caused him to be emasculated; on which Agdistis committed self-destruction in a fit of sorrow.

Servius, Lactantius, and St. Augustine, give another version of the story, which it is not necessary here to enlarge upon, any farther than to say, that it depicts the love of a powerful queen for a young man who repulsed her advances. Ovid, also, gives a similar account in the fourth Book of the Fasti, line 220. Other authors, quoted by Arnobius, have given some additional circumstances, the origin of which it is almost impossible to guess at. They say that a female called Nana, by touching a pomegranate or an almond tree, which grew from the blood of Agdistis whom Bacchus had slain, conceived Attis, who afterwards became very dear to Cybele.

All that we can conclude from these accounts, and more especially from that given by Ovid in the Fasti, is, that the worship of Cybele being established in Phrygia, Attis was one of her priests; and that, as he led the example of mutilating himself, all her other priests, who were called Galli, submitted to a similar operation, to the great surprise of the uninitiated, who were not slow in inventing some wonderful story to account for an act so extraordinary.

FABLE III. [X.106-142]

Cyparissus is about to kill himself for having slain, by accident, a favourite deer; but, before he is able to execute his design, Apollo transforms him into a Cypress.

Amid this throng was present the cypress, resembling the cone,[18] now a tree, {but} once a youth, beloved by that God who fits the lyre with the strings, and the bow with strings. For there was a large stag, sacred to the Nymphs who inhabit the Carthæan fields; and, with his horns extending afar, he himself afforded an ample shade to his own head. His horns were shining with gold, and a necklace studded with gems,[19] falling upon his shoulders, hung down from his smooth round neck; a silver ball,[20] fastened with little straps, played upon his forehead; and pendants of brass,[21] of equal size, shone on either ear around his hollow temples. He, too, void of fear, and laying aside his natural timorousness, used to frequent the houses, and to offer his neck to be patted by any hands, even though unknown {to him}.

But yet, above all others, he was pleasing to thee, Cyparissus, most beauteous of the nation of Cea.[22] Thou wast wont to lead the stag to new pastures, and to the streams of running waters; sometimes thou didst wreathe flowers of various colours about his horns, and at other times, seated on his back, {like} a horseman, {first} in this direction and {then} in that, thou didst guide his easy mouth with the purple bridle. ’Twas summer and the middle of the day, and the bending arms of the Crab, that loves the sea-shore, were glowing with the heat of the sun; the stag, fatigued, was reclining his body on the grassy earth, and was enjoying the coolness from the shade of a tree. By inadvertence the boy Cyparissus pierced him with a sharp javelin; and, when he saw him dying from the cruel wound, he resolved to attempt to die {as well}. What consolations did not Phœbus apply? and he advised him to grieve with moderation, and according to the occasion. Still did he lament, and as a last favour, he requested this of the Gods above, that he might mourn for ever. And now, his blood quite exhausted by incessant weeping, his limbs began to be changed into a green colour, and the hair, which but lately hung from his snow-white forehead, to become a rough bush, and, a stiffness being assumed, to point to the starry heavens with a tapering top. The God {Phœbus} lamented deeply, and in his sorrow he said, “Thou shalt be mourned by me, and shalt mourn for others, and shalt {ever} attend upon those who are sorrowing[23] {for the dead}.”

[Footnote 18: Resembling the cone.--Ver. 106. In the Roman Circus for the chariot races, a low wall ran lengthways down the course, which, from its resemblance in position to the spinal bone, was called by the name of ‘spina.’ At each extremity of this ‘spina,’ there were placed upon a base, three large cones, or pyramids of wood, in shape very much like cypress trees, to which fact allusion is here made. They were called ‘metæ,’ ‘goals.’]

[Footnote 19: Studded with gems.--Ver. 113. Necklaces were much worn in ancient times by the Indians, Persians, and Egyptians. They were more especially used by the Greek and Roman females as bridal ornaments. The ‘monile baccatum,’ or ‘bead necklace,’ was the most common, being made of berries, glass, or other materials, strung together. They were so strung with thread, silk, or wire, and links of gold. Emeralds seem to have been much used for this purpose, and amber was also similarly employed. Thus Ovid says, in the second Book of the Metamorphoses, line 366, that the amber distilled from the trees, into which the sisters of Phaëton were changed, was sent to be worn by the Latian matrons. Horses and favourite animals, as in the present instance, were decked with ‘monilia,’ or necklaces.]

[Footnote 20: A silver ball.--Ver. 114. The ‘bulla’ was a ball of metal, so called from its resemblance in shape to a bubble of water. These were especially worn by the Roman children, suspended from the neck, and were mostly made of thin plates of gold, being of about the size of a walnut. The use of these ornaments was derived from the people of Etruria; and though originally worn only by the children of the Patricians, they were subsequently used by all of free birth. The children of the Libertini, or ‘freedmen,’ indeed wore ‘bullæ,’ but they were only made of leather. The ‘bulla’ was laid aside at the same time as the ‘toga prætexta,’ and was on that occasion consecrated to the Lares. The bulls of the Popes of Rome, received their names from this word; the ornament which was pendent from the rescript or decree being used to signify the document itself.]

[Footnote 21: Pendants of brass.--Ver. 116. The ear-ring was called among the Greeks ἐνώτιον, and by the Romans ‘inauris.’ The Greeks also called it ἐλλόβιον, from its being inserted in the lobe of the ear. Earrings were worn by both sexes among the Lydians, Persians, Libyans, Carthaginians, and other nations. Among the Greeks and Romans, the females alone were in the habit of wearing them. As with us, the ear-ring consisted of a ring and drop, the ring being generally of gold, though bronze was sometimes used by the common people. Pearls, especially those of elongated form, which were called ‘elenchi,’ were very much valued for pendants.]

[Footnote 22: Nation of Cea.--Ver. 120. Cea was one of the Cyclades, and Carthæa was one of its four cities.]

[Footnote 23: Who are sorrowing.--Ver. 142. The Poet in this manner accounts for the Roman custom of placing branches of Cypress before the doors of houses in which a dead body lay. Pliny the Elder says, that the Cypress was sacred to Pluto, and that for that reason it was used at funerals, and was placed upon the pile. Varro says, that it was used for the purpose of removing, by its own strong scent, the bad smell of the spot where the bodies were burnt, and also of the bodies themselves. It was also said to be so used, because, when once its bark is cut, it withers, and is consequently emblematical of the frail tenure of human life.]